Six Tips to Help You Clean and Organize Your Photography Studio

1. Photography Studio Organization - Use good old fashion hanging files.

Believe it or not, in this digital age, the classic green hanging folder is still a great organization tool. Using manila folders to organize your photography studio's bills, invoices, and receipts is a good start. It is a lost cause however, if you don't have an organized place to put them. The hanging folder is the perfect place to put them

Don't have a filing cabinet to put the hanging folders in? Not a problem. There are several options available at your local retail store. I prefer the clear Rubbermaid bins. They are about 8 inches wide. This means they are easily stored in closets or on a bookshelf. Since photography studio space is usually valuable real estate, these smaller file boxes might be the way to go.

2. Photography Studio Organization - File your files

A great way to keep your files organized is to keep a file of all your files. What do I mean by this? Keep a piece of paper in your photography studio with all of your file folders on with their names. If the folders have sub-folders, list those too.

This will let you see if you have folders that overlap so that you can condense your folders. For example, there is no point in having studio file and a studio equipment file.

You could have this list written on a piece of paper, but that would just be one more piece of paper to file. Try keeping this record in a word or excel document. That way you have one less piece of paper in your office and you can update it much easier when you add new folders and files.

3. Photography Studio Organization - Throw things away

For some reason most photography studio owners have a fear of throwing client paperwork and photos away. There are certain things that you just don't need to hang on to. If you are a digital photographer there is no reason to hold on to basic prints. Create a varity of back-ups and toss the prints. You can always re-print them. If you aren't a digital photographer and have a traditional photography studio, invest in a scanner. This way, if you must hold on to prints for color purposes, you can scan them and toss the print.

There are some things you need to hold onto though.

Tax items are one thing you should hold onto. You should save your tax returns forever. The rest of your tax reports and receipts should be saved for no longer than six years.

Throw away papers that you don't have an immediate need for, can get a copy of easy, or that don't have any tax or legal reason to hold on to.

If you feel like you need to hold on to all your photography studios paperwork, than try scanning it all onto a portable hard drive. Then you can throw all the papers away. It will take more time than growing through all the papers away, but at least the hard drive will take up less space in your office.

You can scan model's head shots for reference later. You can scan pose ideas from magazines so you don't have clipping all over your photography studio.

4. Photography Studio Organization - "Assorted" Folders

How many other, assorted, or misc files do you have in your photography studio? You know, the folder that you put everything in that you just don't know where else to put it. That isn't organization. Odds are you can just throw it away altogether. A good rule of thumb is, if you haven't needed it or touched it in a year then toss it.

5. Photography Studio Organization - Get rid of business cards

There are so many ways to organize all your business cards, model head shots, and contact information. There are plenty of ways to get rid of it altogether as well. A simple approach is to take the business card or headshot and tape it or staple it the file folder it is associated with. At least then it is filed away instead of in a pile on your desk or in a drawer.

There are lots of gadgets out there made for scanning in business cards to your computer. If you are a digital photography studio, you probably already have a scanner, put it to good use. If you don't have the money for one of these than just take some time to enter the contact information into your electronic address book. Outlook has a great address book or you could even use your email clients address book. Anything is better than having them just laying around waiting to get lost.

6. Photography Studio Organization - Use the computer

Try using your photography studio's computer as much as possible. Use it to make your to-do lists, create address books, file documents, and more. The more you keep or put into your computer the less you have in your photography studio.

As I mentioned before, there are plenty of gadgets out there that can help you scan your files into the computer. Take advantage of them!

Historic Coliseum Cinemas Movie Theatre Hosts Film Club, Shows Art Films

Thanks to merging interests of a Washington Heights resident and Coliseum Cinemas business owners, Northern Manhattanites get to view first-run, non-commercial art, documentary, and independent films close to home these days.

Together, Michael Kassin and the owners of the historic Coliseum Cinemas on 181st Street launched, against industry odds, the successful Coliseum Cinemas Movie Club on a cold January night in 2005 and will screen as their first club film of 2006, the Oscar-hopeful Johnny Cash story, “Walk the Line,” Thursday, January 26 at 8 p.m.

Kassin, husband and father of three-year-old twins, part-time screenwriter and full-time public relations partner, courts a full schedule and was looking for a way to streamline commitments when he approached Coliseum owners in late 2004 asking what it would take to get some of the movies he’s required to vote on for awards as a member of the Screenwriter’s Guild.

Co-owner Mark Burgios explained that he and his business partners Jesus Nova and Nick Guadagno who had recently purchased and renovated the theatre had already been considering the idea of devoting one of their screens to art movies when Kassin approached them, so it was a no-brainer to give a green light as long as he could attract enough interest to make it financially feasible.

Kassin proved the neighborhood was eager for this type of venue by bringing in 180 people for a screening of “Ray,” and the film club was off to an illustrious, red carpet start: They had to use two theatres that first night to accommodate everyone.

Since “Ray” the film club has screened at least one movie per month, often more. Burgio elaborates, “We don’t just show movies. We try to get one of the writers, directors, or one of the main actors to come speak.” When the club viewed “Mad, Hot, Ballroom,” the acclaimed 2005 documentary featuring Washington Heights school kids, the film’s director Marilyn Agrelo spoke and fielded questions from club members.

The club strives to make the film events social and community-oriented, often serving wine and cheese beforehand. Kassin remembers one of the couples who joined last year said the movie was their first night out since having a baby three months earlier and that they were excited that they could walk just a few blocks to get away for a date in their neighborhood.

The club creates a win-win situation for everyone. Burgio notes, “It exposes the theatre to people who wouldn’t necessarily be interested in Hollywood flicks.”

Kassin emphatically details the irony of the club’s success, “This club is everything Hollywood says you can’t do. Here you have people over twenty-five making advanced reservations to come to art films on a week night.”

And it is pretty remarkable considering also that movie theatres today usually show either commercial hits or art films, rarely daring to mix competing audiences as the Coliseum does.

Viewed in historical context it seems apt that Coliseum Cinemas should be experiencing stellar heights with their movie club. The once grand theatre opened in 1920 was then the second largest movie theatre seating-wise in New York City, second only to Madison Square Gardens. Though now the theatre is split into four theatres sporting stadium seating for 125-177, back then it sat nearly 4,000 and took up all the current adjacent ground floor business spaces. Today it is the only movie theatre in the city north of 125th Street and the only theatre showing art movies on the West side north of 66th Street.

The club’s future is bright. January and February the club will devote to their Oscar series. After January’s “Walk The Line” they will feature two or three club nights in February. March is slated for short documentaries and beyond that they are discussing a classics series. In the future Kassin hopes to have a whole year’s worth of club films scheduled, and a club website is currently in testing. Kassin excitedly reported that New Line Cinema approached the club and expressed interest in working with them.

You can join the Coliseum Cinemas Film Club for an annual fee of $25 per individual or $35 for couples and families. As a club member you receive discounted rates ($6 per person, $4 per senior) on films the club screenings. For more information or to join the club contact Michael Kassin at mkassin@stantoncrenshaw.com or call the Coliseum Cinemas at 212-740-1541.

Making Movies for the 48 Hour Film Festival

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So you fancy yourself a filmmaker, but you don't know how to get yourself known? Are you just a great big hulking load of moviemaking talent looking for the opportunity to present yourself as an alternative to the constant stream of dreck that Hollywood keeps forcing down our throats? Or hey, maybe you are one of those unfortunate types who thinks that Hollywood has finally hit its stride and you want to showcase your talent by jumping headlong into the great big pool of mediocrity that is American film today.

The Blair Witch Project pretty much changed everything for independent film. The profit that film made proved that no matter how crappy a film you actually make, as long as you can make it as cheaply as possible and turn a big profit, then you will get noticed. And DV technology has brought that ability to make a film with a ridiculously small budget into the home of every wannabe Spielberg alive today.

But just because you can make a cheap film is no guarantee that anybody but your friends and family will see it. Until now, that is. A trio of guys living in LA has made it possible for anyone reading this article in even the most remote village in Croatia to have their eight minute masterpiece potentially viewed by movers and shakers in the business.

And by the business, of course, I mean the industry.

The 48 Hour Film Festival is the brainchild of Mark Kochinski, Keith Matz and John Parenteau. All three are involved in the film industry in various ways and all three have long dreamed of being filmmakers themselves. One day while sitting around bemoaning the state of the industry and how things were going to be different once they start making those dreams inside their heads come to life on celluloid, Matz casually mentioned that a friend of his had entered a one day filmmaking contest. By the end of the day the gauntlet had been thrown down and Kochinski and Matz-along with three others-spent the weekend making a movie to see who could do it best within a strict 48 hour time frame. Although by Kochinski's own admission all five of the films were less than spectacular, lightning had struck and history was born. Interestingly enough, if you just change the names, that story also details exactly how the Academy Awards was born. Go figure.

The budding film revolutionaries held a screening of those famously bad two day movies and much in the way that most people who ever actually attended a Sex Pistols concert wound up starting their own bands, those people who watched those movied wanted in on the action and demanded another two day film festival in which to showcase their own visions. Three months later enough participants had submitted a film that the renting of a screening room was required. Which immediately sold out. It probably goes without saying that most of those attending that screening also wanted a shot. It didn't take a psychic to see where this was heading.

At that point John Parenteau was brought it to help develop an actual film festival. First the trio founded ExtremeFilmmaker.Com. The first order of business was to get in touch with the other similar concepts around the country and make sure nobody's toes were being stepped on. After all, America is a litigious country if it is nothing else. After that potential mess was rooted out, the 48 Hour Film Festival was born.

The rules are simple. And they can be found at ExtremeFilmmaker.com if you want all the details, but the basics are these: All movies must be filmed from the first shot to the final edit within a 48 hour time period. Film can be no longer than eight minutes, though certain exceptions are made in the case of extraordinarily well-made movies. And by extraordinary, they mean it. The content cannot be considered deserving of a hard R or NC-17 or XXX rating. All preproduction efforts, including screenwriting, are exempt from the 48 hour time limit.

The first big time 48 Hour Film Festival was held at the Chaplin Theater at Raleigh Studios, a 150 seat venue that soon proved too small for the growing audience eager to attend. Currently, the festival is presented at the Arclight Theater on Sunset Blvd. All proceeds go to the Starbright Foundation.

The ExtremeFilmmaker web site not only gives all the pertinent information regarding the 48 Hour Film Festival, but provides a wealth of information for budding filmmakers. Be sure to sign up for the newsletter so you can keep up to date on the 48 Hour Film Festival updates. Also included on the site are guides for picking the right equipment and the right software for editing your masterpiece. In addition, you will find fabulous tips on the actual process of making a movie; for instance, such things as framing, lighting, and using the camera itself as an actor are covered.

Perhaps nothing is a better teacher of how to make a film than watching a film. Heck, there's no perhaps about it. You can read all the theory you want and listen to all the seminars and read every word ever written about film from DW Griffith to Quentin Tarantino, but if you haven't watched a lot of movies, you can't hope to make an original movie. It has been said that Orson Welles prepared to make Citizen Kane by watching Stagecoach dozens of times. Although the story is probably apocryphal, the idea has merit. If you don't watch a lot of movies you can't make movies. (Which, of course, is going to present some heavy duty problems to the next generation of filmmakers who, instead of being exposed to daily doses of Hawks, Welles, Ford and Stevens are instead being treated to three showings on three straight nights of You've Got Mail on TNT and nothing but James Bond movies for a whole week on American Movie Classics.)

But I digress.

The point is that if you really want to learn what it takes to make a 48 hour movie, then you should check out what has been submitted before. And the site makes that possible by listing many of the best submissions according to the festival in which they were shown. This is your classroom. Watch these films and learn. And then grab your camera and go out and make your own and, who knows, you just may find your own flick available for download.

Lest you think this is all just an exercise in wishful thinking and that nobody is ever going to get noticed by making a movie in 48 hours, consider that no less a proponent of independent film and the digital revolution than writer-composer-editor-director Robert Rodriguez (Once Upon A Time In Mexico) took notice of the 48 Hour Film Festival and asserted that it represents the very essence of independent filmmaking.

Once upon a time, Cannes was just a beach where women walked around topless. Once upon a time Sundance was just the quiet guy in a funny western movie. Right now the 48 Hour Film Festival is taking place inside a 450 seat venue.

Once upon a time it took place inside a small room at a special effects house.

Why Not Let Your Baby Cry

celtics baby clothes

New moms and dads seem to feel that they have to keep their baby from crying. Every time their little one cries they come running. But in my own personal opinion it is perfectly ok to let your baby cry a little. Of course you do not want to let them cry all day long. Crying themselves to sleep is perfectly normal and ok. I have tried this with my children and it has really worked out well, especially at bedtime. What I do is follow my usual bedtime routine. 

Give them their bath and then one final bottle or nurse them one last time for the night. Them I put them in their crib and let them cry just for a while. Every 15 min or so you will want to go and comfort them. It is important that if you are going to let your baby cry themselves to sleep that they are given comfort. I would also recommend covering their little hands so that they do not scratch themselves. They sell little mittens for infants or the shirts with the little hand covers attached. It is also a good deterrent if your child is starting to suck their little fingers.

No one is quite sure why we exactly do cry. Did you know that there are actually two different kids of tears? One is the Basal or continuous tears that moisten the eye, and the other is reflex tears which are caused when your eyes are irritated by some type of object. Some researchers believe that emotional tears or crying actually relieves the body of harmful and excess substances, in the same way the kidneys, and the lungs do. They are not exactly sure of the reason but evidently the body produces a tear in response to emotion that is different from the kind in response to irritation. From the moment a baby is born they need tender care. Many people feel that if they respond to a crying baby they will be spoiling them. I am not sure, but I do know that no harm can come to them by just letting them cry. 

But you should keep in mind that when a child is hungry, uncomfortable or upset, the will begin to cry. You will want to make sure that you check all of these things before you let your baby cry themselves to sleep. Some researchers seem to believe that babies who are responded to quickly during the first 6-8 months of life actually cry less than babies who have been left to cry. Of course they cry less since they are constantly being picked up. There are times when just acknowledging their cry with your own voice will be sufficient. Just a simple touch can help to provide comfort.

Believe it or not it is a baby’s job to cry. At least that is what many of the parents that I have spoken to seem to thing. You do not want to let the baby cry all the time. For example I only allow my baby to cry at bedtime for an extended period. I believe this will help him to learn what bedtime means. When the baby is constantly being rocked to sleep, as they get older they will not understand why you will suddenly stop. And you will probably have a very difficult time putting your one year old baby to sleep. Keep in mind that crying is how babies communicate what they want. The bottom line is you need to help them understand when it is time to play and when it is time to sleep.

Six Tips to Help You Clean and Organize Your Photography Studio

Photo Credit: celtics baby clothes

1. Photography Studio Organization - Use good old fashion hanging files.

Believe it or not, in this digital age, the classic green hanging folder is still a great organization tool. Using manila folders to organize your photography studio's bills, invoices, and receipts is a good start. It is a lost cause however, if you don't have an organized place to put them. The hanging folder is the perfect place to put them

Don't have a filing cabinet to put the hanging folders in? Not a problem. There are several options available at your local retail store. I prefer the clear Rubbermaid bins. They are about 8 inches wide. This means they are easily stored in closets or on a bookshelf. Since photography studio space is usually valuable real estate, these smaller file boxes might be the way to go.

2. Photography Studio Organization - File your files

A great way to keep your files organized is to keep a file of all your files. What do I mean by this? Keep a piece of paper in your photography studio with all of your file folders on with their names. If the folders have sub-folders, list those too.

This will let you see if you have folders that overlap so that you can condense your folders. For example, there is no point in having studio file and a studio equipment file.

You could have this list written on a piece of paper, but that would just be one more piece of paper to file. Try keeping this record in a word or excel document. That way you have one less piece of paper in your office and you can update it much easier when you add new folders and files.

3. Photography Studio Organization - Throw things away

For some reason most photography studio owners have a fear of throwing client paperwork and photos away. There are certain things that you just don't need to hang on to. If you are a digital photographer there is no reason to hold on to basic prints. Create a varity of back-ups and toss the prints. You can always re-print them. If you aren't a digital photographer and have a traditional photography studio, invest in a scanner. This way, if you must hold on to prints for color purposes, you can scan them and toss the print.

There are some things you need to hold onto though.

Tax items are one thing you should hold onto. You should save your tax returns forever. The rest of your tax reports and receipts should be saved for no longer than six years.

Throw away papers that you don't have an immediate need for, can get a copy of easy, or that don't have any tax or legal reason to hold on to.

If you feel like you need to hold on to all your photography studios paperwork, than try scanning it all onto a portable hard drive. Then you can throw all the papers away. It will take more time than growing through all the papers away, but at least the hard drive will take up less space in your office.

You can scan model's head shots for reference later. You can scan pose ideas from magazines so you don't have clipping all over your photography studio.

4. Photography Studio Organization - "Assorted" Folders

How many other, assorted, or misc files do you have in your photography studio? You know, the folder that you put everything in that you just don't know where else to put it. That isn't organization. Odds are you can just throw it away altogether. A good rule of thumb is, if you haven't needed it or touched it in a year then toss it.

5. Photography Studio Organization - Get rid of business cards

There are so many ways to organize all your business cards, model head shots, and contact information. There are plenty of ways to get rid of it altogether as well. A simple approach is to take the business card or headshot and tape it or staple it the file folder it is associated with. At least then it is filed away instead of in a pile on your desk or in a drawer.

There are lots of gadgets out there made for scanning in business cards to your computer. If you are a digital photography studio, you probably already have a scanner, put it to good use. If you don't have the money for one of these than just take some time to enter the contact information into your electronic address book. Outlook has a great address book or you could even use your email clients address book. Anything is better than having them just laying around waiting to get lost.

6. Photography Studio Organization - Use the computer

Try using your photography studio's computer as much as possible. Use it to make your to-do lists, create address books, file documents, and more. The more you keep or put into your computer the less you have in your photography studio.

As I mentioned before, there are plenty of gadgets out there that can help you scan your files into the computer. Take advantage of them!

DIY Wedding Photography: Shot List for the Traditional Couple

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How can you save money on photography for your wedding? Do it yourself! DIY wedding photos won't sacrifice your precious wedding memories. Just make sure you are doing the wedding justice by creating a shot list before the ceremony.

As a traditional couple, you will want "classic" wedding portraits. Make sure you get the following shots for your do it yourself wedding album.

DIY Wedding Photo Shot List - Pictures of the Bride and Groom

Have the bride and groom stand in front of the church. Stand back from the couple so you can get their entire bodies into frame. Make sure to get the entire wedding gown in the picture.

Take a few steps forward, use your zoom, and take a close-up portrait of the bride and groom facing forward.

Have the bride and groom turn their heads and look into one another's eyes. Take a close-up.

Snap a photo of the bride and groom standing in front of the church on their wedding day.

DIY Wedding Photo Shot List - Photos of the Wedding Party

Every wedding album needs a picture that includes the entire wedding party. Line up the bridesmaids and groomsmen with the bride and groom in the center. The flower girl and ring bearer can stand in front of the attendants, but do not place them directly in front of the bride and groom. Doing so would block the bride's wedding gown.

Take some wedding photos of the bride with her bridesmaids. Then take some pictures of the groom with his groomsmen.

Make sure you get a picture of just the flower girl and ring bearer. These cute wedding photos will turn out great!

DIY Wedding Photo Shot List - Pictures of Family Members

Family plays an important role in any wedding. Make sure to include them in the wedding photographs.

Shoot the bride with her family and the groom with his family. Marriage unites these two families, so get a shot of them all together as well.

Make sure to get a picture with the grandparents as well.

DIY Wedding Photo Shot List - Photographs of The Ceremony

The ceremony is the most sacred part of the wedding. Don't be too intrusive while getting your shots. Here are some wedding photos you must get:

Each bridesmaid and groomsmen as they walk toward the altar

The flower girl and ring bearer as they walk down the aisle

The bride walking down the aisle and being given away

Close-up of the groom when he sees his bride

The bride and groom standing at the altar (from behind and from in front if you can manage)

The entire wedding party during the ceremony

Bride and groom's first kiss as a married couple

The couple lighting the unity candle

Bride and groom exchanging rings

Bride, groom, and attendants as they walk back down the aisle

DIY Wedding Photo Shot List - Reception Photos

The reception offers many opportunities to capture the spirit of celebration. Take a lot of journalistic style photographs during the reception of guests dancing, eating, and laughing.

In addition to these spontaneous photos, remember to snap the following pictures:

The bride, groom, and attendants in the receiving line

Groom removing and tossing the bride's garter

Bride tossing her bouquet

The wedding cake being cut and fed to the bride and groom (protect your camera from flying cake!)

The couple's first dance and dancing with their parents

The Most Important Tip for DIY Wedding Photography - Be Creative

This wedding photography shot list will get you started. It is not intended to limit your creativity. These are only the basic poses and wedding pictures a traditional couple would like to have in their wedding photo album. Take these basics and add your own ideas to create a unique wedding gift -- the gift of memories.

Sources

DFM Photography, Wedding Shotlist Helper, http://www.dfmphotography.com/wedding_shotlist.shtml

Personal Experience

Tips for Breaking into Sports Photography

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Winthrop University, Rock Hill, SC, student photographer Chris Osborne hopes his experience in sports photography will take him to the next level - his goal for every shot is "Sports Illustrated Cover".

Osborne explains how a sixth sense is valuable in sports photography, but without the basics of photography, you will still miss the shot.

What first attracted you to photography? How did you get started yourself?

Photography was something I could do since I have always been able to see how I wanted things to look. I have started and restarted a few times. My first camera was a 110 mm back in 3rd grade. I moved onto other interests until college, where I got a Coolpix L3. It is good for general use, but trying to shoot basketball did not work at all. So, I purchased a Rebel XT and have not looked back.

What photographers - well known or unknown - inspire you?

Beyond the sports photography culture, two unknowns got me where I am today. The first is my sister. She says that I stole her interest in photography and will not hold back any criticism of my work. The second is Paul, a fellow photographer at the school paper. After seeing one of his pictures in the paper and not liking it at all, I decided that I could do a better job and filled the other sports photographer position. Only later did I learn that an editor and not Paul made the cropping decisions.

What equipment do you use? Is there a certain piece of gear you could not live without?

I am currently using a Canon Rebel XT with the kit 18-55mm lens, Canon 50mm 1.8, Canon 75-300 4-5.6, and a Tamron 28-200mm 4/5.6. My only other add ons are a Canon battery grip and a polarizing filter. Being on a college student budget, I do not buy new equipment unless I will really use it. But if I had to pick one item that I couldn't live without it would be the battery grip. I missed too many shots by flipping the camera the wrong way to shoot vertically or simply missing the shutter button.

Do you have any goals in mind with your photography?

For my sports shot, there is always one basic thought running through my mind - Sports Illustrated cover. I would love to have one someday. For everything else, I think about if I could see the shot hanging on someone's wall. If I cannot, I find something that fits that requirement.

What do you feel are your strengths and weaknesses in sports photography?

As much as I hate to say this one, one of my strengths is that I have a camera that can handle the speed and lighting at college sporting events. Beyond that, I am able to have a personal relationship with most of the athletes and am able to predict fairly well what is about to happen. My weaknesses are that I am still too slow at times to get the shot that I want, despite knowing almost exactly what is about to happen and that I have a tendency to tilt my camera. Also, where the Winthrop athletic department lets me go during games limits what I am able to shoot.

What does it take to be a quality sports photographer?

To be a quality sports photographer, you have to be a little bit psychic. By that I mean that you need to be able to know where to point the camera to get the shot. Some sports are easier than others. What sports do you like to shoot? I like to shoot basketball and volleyball most. They are high intensity and usually have something new to get every time. I like baseball the least because most of the shots are just excessively similar.

What post-processing tools/software do you use? How much does that influence your photography?

When I want better control over the photograph, I will use Photoshop 7 or Gimp depending on which operating system I am working under (desktop runs XP while laptop is in the process of switching over to Linux). I use Picasa for basic editing such as cropping and overall brightness/contrast. I sacrifice the overall control for speed when I have to turn things in to the school paper.

What advice would you give new photographers?

A) Don't get discouraged. Photography is an art, which means you will have to work at it.
B) A good photographer can overcome bad equipment, and good equipment will not make you a good photographer.
C) Less time editing your photographs means you'll have more time to take more, so get things right in camera as much as possible.
D) Try to see all of what there is to shoot, not just the stereotypical snapshots that everyone else will find.

Check out Osborne's photography at http://sapidexistence.com

Boppy Pillow Photography Prop

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Photography props are expensive and many times are not even worth the investment. A Boppy Pillow however, even if bought at full price, is well worth the investment. You will get years of use from your Boppy Pillow and as a photography prop the Boppy Pillow can be used for babies and pets. The Boppy Pillow is also washable so it can be cleaned inbetween uses. You can purchase Boppy Pillows new at stores such as Target or used at resale shops and rummage sales.

Boppy Pillow Photography Prop Pose #1: Baby On Back
Place the Boppy Pillow on the floor of coffee table or other raised surface, not to high since you will be photographing from above. Cover the Boppy Pillow with a backdrop, blanket, material, etc. Gently rest the upper body of the baby on the Boppy Pillow, the baby's bottom should be near the open end. This position is perfect for newborns that can not support themselves.

Boppy Pillow Photography Pose #2: Baby on Tummy
Prepare the Boppy Pillow as above on a raised surface. For this pose the table can be high or low since you will be photographing from in front of the baby. For this photography pose you will be facing the open end of the Boppy Pillow away from the camera. This pose does require some upper body strength so it works best for babies 2 months and up. Place the baby stomach down with the upper body resting slightly forward of the Boppy Pillow. You now have a perfect head and shoulders position.

Boppy Pillow Photography Pose #3: Baby Sitting
Prepare the Boppy Pillow as described in pose 1. As in pose 2 the raised surface can be high or low since you will be photographing from in front of the baby. The Boppy Pillow opening should be facing the camera. Sit the baby inside the hole with the baby's legs coming out the opening. The Boppy Pillow will help support babies that can sit unassisted. In this pose the Boppy Pillow is mainly used to keep the baby sitting tall. Photograph the baby from the front. This pose will help you capture a nice head and shoulders photo of babies six months and up.

Boppy Pillow Photgraphy Pose #4: Pet Laying
Again prepare the Boppy Pillow as stated above. You will be photographing from in front of the subject so a high or low table will work. The Boppy Pillow opening should face to the left or right of the camera. Lay the pet with the front paws on the Boppy Pillow. The body should be laid into the center and if large enough out the opening. Stand behind the camera in front of the subject and get the pet to turn their head towards the camera. I use a rubber chicken, not a squeaker toy. A squeaker toy will scare most animals and usually makes a dog jump up and want to play. You only want to get the animal to look in your direction with their head.

I have included a couple of photos that show the Boppy Pillow in use.